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Drum Circles Facilitation in Orange County, Play the Rhythms of your Brain: Team Building, Health & Wellness, Sports Training, Non-Verbal Communications, and Spiritual Enrichment 2010 Calendar of Workshops & Performances Drum Circle Facilitation & Drumming Instruction: Pricing and Availability: Facilitation w/ Instruments Provided 90 Minutes Group Size from 10 to 50 People $25.00 per person Facilitation w/ Instruments Provided 90 Minutes Group Size More than 50 People Contact us Instructional Workshops 90 Minutes As Scheduled w/ RSVP $25.00 per person Instructional Workshops 90 Minutes On Location, Minimum 10 People $25.00 per person For non-profit, educational, and community arts drum circle activities, we can typically offer a discount. Please contact us for pricing. Dolle Communications is an Authorized Reseller of Freedom Drums Percussion
Overview:
As our founder, resident neuroscientist, and percussionist,
"To succeed in life, you must be “engaged” in what is happening around you, and develop strategies to help your mind and body stay focused on whatever you are doing, despite the many distractions at work, at school, and at play. Group drumming is a platform where participants interact with the rhythms of your brain to engage their mind and body to reach its peak performance, and to better communicate with those around them. Widely termed drum circles, it is an age old practice offering new insights today into team building and communications, which can activate key rhythms of your brain. The rhythms of your brain are a collage of many different auditory, visual, and touch sensory patterns which hold the key to specific interactions between the brain and body. Some are learned, while others are innate. These patterns are widely how our minds communicate with our bodies, with others, and with the world around us. The more you know about these patterns, the more happy and healthy you will be in life." Stephen can be heard here on YouTube in a recent local interview on group drumming and the rhythms of your brain. 4 x 6 Printable Information Cards on our Workshops: A. Group Drumming for Corporate Team-Building B. Drumming for Health & Wellness (rhythm & movement) C. Drumming for Movement and Sensory Integration We also do special purpose drumming, such as a recent workshop we did entitled, "Drumming with Horses." Below is our general information slide show entitled, "Team Building & Communications thru Group Drumming: Engaging the Rhythms of your Brain." Please be patient as the slide show may take 10 to 20 seconds to load. If you have difficulty, view through the Adobe Acrobat Reader link instead. You just won't hear the audio. If the Power Point slides do not play automatically, try selecting "slide show" and in the top left corner select "from the beginning." To view options during play, right-click your mouse on your screen and make your selection. Microsoft Power Point versions 1997-2007: Team Building & Communications in Group Drumming Faster Load Power Point (2007 v. install req'd): Team Building & Communications in Group Drumming Slide Show in Adobe Acrobat Reader: Team Building & Communications in Group Drumming Introduction:
"The science in support of these applications revolves around how we are designed with, and surrounded by, thousands of rhythmic processes tied into planet Earth," Dolle explains. "It should come as no surprise that our command of audible and inaudible rhythms determines our physical prowess, and in large part, our grasp of language.
Our awareness and attentiveness to rhythm also affords us a better understanding of time and space, and enables us to perform athletics and coordinated team sports such as football. This makes audible rhythms a perfect training and syncopation tool for team sports. Early humans heavily relied upon purposeful rhythmic hand, body, and audible gestures. Once humans began speaking and living communally, thought to be between 7000 and 25,000 BC, we slowly began loosing our innate skills at understanding body rhythm as language. This is likely why we are so fascinated with music and sports today.
The role of rhythm in our daily lives
changes as we age. As our necessary survival skills continues to
evolve, there is continued optimizing of rhythm's role in our lives. Factors like age, health, neurological development,
geography,
and quality of life also impact our ability to optimize our understanding of "rhythm codes." These codes influence our physical
health, bodily coordination, intellectual capacity (comprehension,
voluntary thought, action), and inter-personal communication (i.e. work, community,
family). It is critical that we maintain our rhythm skills to remain competitive, healthy, and properly connected to those around
us. Regrettably, our increasing reliance on electronic communications and technology
may
NOT permit sufficient exposure to needed communication
Using various drums and percussion instruments, Dolle
demonstrates how the human body is a transceiver and
receiver of rhythmic cues involved in every thought, action, and inter-personal communication.
He designs drum applications to help users improve rhythmic skill and attentiveness,
business and personal communications, syncopation in sports,
balance and
coordination, and intellectual capacity. His
presentations are a combination of lecture, instruction, and entertainment -
On the public relations (PR) front, we earlier launched a new awareness campaign on the benefits of rhythm and musical percussion in learning, entitled, "Play Rhythm, Be Smart." This campaign is designed to inform organizations, schools, and the public on the many benefits of performing rhythm and percussion. We are also promoting (through PR) rap and hip-hop artists to write/record 2nd copy (less offensive language version) of some popular songs so they may be more readily listened to by non-adult audiences. And also on the PR front, we are promoting a philanthropic music and drum circle outreach proposal designed to get funding and support for inner city and at-risk teens who are interested in playing and competing with live percussion, and in conjunction with rap/hip-hop vocals. Drum Circles for Sales and Corporate Teambuilding: Featured Auto Dealership
We feature a specific drum circle application to improve sales communications between salespersons and customers at an auto dealership. Here, a staff of five salespeople are on the floor during most hours of operation. This dealership, like many others do, has a policy that sales staff are to take turns on new approaching customers. Here is how a drum circle was used to improve customer/salesperson relations. Very often at auto dealerships, by the time a prospective customer reaches the entry way of the facility, they report being starred down by over-anxious sales staff. Customers widely report feeling uncomfortable shopping at U.S. auto dealerships. In one instance, a woman was seeking information on a car and reported she felt mugged. There was an exchange of body language, a brief verbal exchange, and the customer was escorted to look over several cars. The woman shared she felt every salesperson within sight was groping her pocketbook with eye and body language. Even though the others were not helping her, they groped all the same. She reported she couldn't wait to see what she came to see - and get out. This experience would seem a dysfunctional way to buy or get information on a car, and would seem to also harm sales at this auto dealership. We introduced a "drum circle" of djembes and assorted small percussion to train their sales staff on how to be attentive to body rhythm and body language, and communicate a more conducive message to customers. We were to teach sales staff how to greet customers with welcoming and trusting body language - using drums and percussion. Each salesperson was given an instrument and instructed how to play it using their body. They were instructed how the rhythms they played, and their body language, is a direct reflection of what they are thinking. In other words, their body language and vibrations transmit their true intent to customers. Their attentiveness to these vibrations also enhances their team building ability to coordinate daily work activities. In a drum circle, it's important to be aware of the courteous and attentive manner in which the participants interact rhythmically with each other, as it becomes a collective rhythm or conversation. This says a lot about how they are perceived by customers who visit the dealership. The team building concept is strengthened by way of participants creating a collective sound as a team. In the business world, salespeople who work as a team are usually more successful. And - customers tend to buy from successful people and businesses.
After completion of six drum circle workshops, the sales staff became more aware of their body language and the team concept. They were more confident and exuded welcoming non-verbal communication, as well as the same in verbal interaction. Even when it was not their customer, they knew how their body language could support each sale - and how this process in turn helped their own sales. The above example illustrates the importance of proper body language in customer sales communications. As you play drum rhythms with your body, you learn to sharpen your non-verbal communication and team building skills. Your body transmits what you are thinking. And your body language in large part determines whether customers will like you, trust you, and buy from you - and how you will be received by co-workers. Contact us for more information on corporate and sales drum circles. Drum Circle Workshop: Communications Training and Syncopation in College, NFL Football
A football play involves the collective movement of body rhythms of 22 players, 11 on each side moving in an opposing direction with only one ball. If one wants to successfully move the ball and persons protecting it, one must appropriately interpret the body language or rhythm code of each opponent, with some support from sideline coaches. The movements and rhythmic codes are recorded on various play and visual formats, analyzed, and implemented on the field. As every person walks and runs with a unique body language or rhythm code, coaching staff must evaluate this and assemble teams of 11 men to carry out a syncopated act or play. In game situations, rhythmic codes are involved in: 1) communications between teammates and coaches, 2) reads of intent and reacting to the movement of opposing players (and their sideline), 3) responding and adapting a team rhythm to external rhythms such as fans and weather conditions, and 4) real time play execution and syncopation (time, athletic advantage, and space). And if there weren't already enough to do, teams must deal with player injuries, substitutions, player psyches, and different cognitive and concentration levels.
Let's introduce a drum circle of tan tans and large and mid-size djembes to the offense of a football program. The drum circle facilitator initially will play a particular rhythm that audibly mirrors the rhythmic code or movement of each player. You want each player to "hear" the rhythms of each other. As the quarterback (QB) sets the timing of the offensive plays, he must initiate and hold the anchor or core rhythm of the offensive drum circle, preferably with a mid to large djembe. He must also be attentive to every player's rhythm in the circle, and make the call to adapt when needed. The center (C) plays the largest bass or tan tan, and plays the root bass beat of the rhythm. The guards (G) play bass beats either on tan tan or large djembes. The tackles (T) are on large djembes and play a combination of fill, and bass fill. The tight ends (TE) are on mid-size djembes and play fill off each other, the QB, and the group. The fullback is on a larger djembe and plays a variety of fill, bass, and lead rhythms off of the QB, RBs, and offensive line, consistent with his role as lead blocker, running back, or receiver. The running backs (RB) play lead and bass fill rhythms on mid-size djembes, consistent with blocking, running, or receiving roles. This method teaches the players to be attentive to each other, to adapt to the rhythm code opportunities of the circle (and its time and space), to be supportive of the entire team movement and syncopation, and lead when opportunity presents. This helps players become more aware of a teammate's body rhythm through audible mirroring, and learning to better trust reads, time, and space judgment as they assume lead roles. Let's introduce a separate drum application for the QB. Using a single bass tan tan and mallets on the field, the drum circle facilitator observes the QBs body rhythms and footwork as he executes various snaps and plays, and creates audible rhythms that mirror his movements, and records it. He then instructs the QB to play specific rhythms on the tan tan to simulate his various drop back and release motions with the ball. The QB should be standing and play the drum with his entire body, each beat in synchronization with every step and turn. This football drill teaches the QB to be better in synch in the pocket, more aware of elapsed time after a snap, and is an excellent warm-up drill before the start of games.
Rumor has it the New England Patriots in 2007 implemented new play timing communications. Their syncopation and team play was near flawless - like that possible thru extensive rhythm training. As the 2009 NFL season gets underway, and the likelihood that Michael Vick will play again this season with an NFL team, Vick's performance will greatly depend on his ability to get into rhythm with the rest of his offense. Vick's inability to syncopate his rhythm and movements with the Atlanta Falcon offense ultimately contributed to his poor off field judgment and legal troubles that landed him in prison. Michael Vick would benefit greatly through group drumming. Dolle Communications offers an array of drum applications for football, basketball, baseball, and many other sports programs.
As we age, and similarly after brain injury or onset of
certain neurological disorders, precise voluntary control of physical Some drum training methods can be done individually at home, others in group settings. The objective is to teach each participant to initiate actions like walking, talking, and eating with less voluntary thought - moving to a rhythm, using time structure and awareness of the body. We often ask participants to select a fun rhythm they can effortlessly play or tap. The facilitator then selects the upbeat or downbeat to cue the desired activity. Cues can be carried out through "tapping" the hand or fingers for everyday activities.
A senior center had been conducting a weekly step class to help patrons maintain their walking and balance skills. They had been playing music of various beat patterns. We came in with a tan tan and large djembe drum, and taught them a simple step pattern to keep to a beat we created. Then we gave them a simple jingle to remember the rhythm - to practice and use as they walked about at their residence. Be Sure to Check out our Fun and Interesting Facts and Video on "What is a Drum Circle" See our Health Drumming section for more on Health and Wellness Drumming. For more information on our drum circle workshops and training programs, please contact us. |